Before and After – Boise Photographer

A before and after post is due! I haven’t done one in a while.

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I like to show the difference between an edited and non-edited image. I pride myself in not doing any crazy editing but more of just enhancing the photo.

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So these next two shots, for instance. The first shot looks great, but I wanted to lighten it up a little bit. I just used the curves setting in photoshop to lighten it up a bit, smoothed out her skin just a tiny bit using a Photoshop mask action I purchased from MCP Actions. You can create your own action to smooth out skin but I thought it was cheaper and easier to purchase my own.

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The next shot was exposed the way I liked, but was too “cool” for my taste. I may have BARELY adjusted the curves but almost unnoticeably so. I wanted to make it look much warmer. I attempted to fix it during the shoot by changing my white balance but because it was during sunset in the middle of January I didn’t have much of an option. So that is where photoshop comes in handy. To neutralize the magenta I used the color balance tool in photoshop and slid it over to the green side. That will help fade out some of the magenta look. Then, I used TRA’s Warm it Up Chris at 50% opacity to really make the yellow/orange pop. Afterwards I used the same skin smoothing action I mentioned above to smooth out a few blemishes. And that’s it!

Feel free to send me any questions!

 

Panning (somewhat of a tutorial post)- Boise Idaho Photographer

I’ve been on a writer’s block lately. I’m not sure what is up, but I think I’ll jump out of it soon.

To get some inspiration I decided to look through my iPhone to see some photos I’ve taken recently. Usually there is a story behind these photos.

Here is the first photo I saw that struck a story.

Panning photography techniques - Tamara Kenyon Photography

 

This photo was taken during the Twilight Critierium. Again, keep in mind that this is on an iPhone.  But what I’m getting at is the idea behind the photo (don’t worry, I have better photos coming soon). This certain technique is called Panning and I will be taking some photos like this on my real camera because I’ve been wanting to do it lately.

Things you’ll need to do:

1. Slow down your shutter speed

2. Hook your camera up to a tripod

3. Have the subject move across the front of you

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Okay so I’m going to try to explain how to do it in the most basic way. This is “Tamara Language” so just bare with me.

- Set your camera up on the tripod.

- Properly set up your exposure, but keep in mind that you will be slowing down your shutter speed so you’ll have to compensate your ISO and aperature so that the image isn’t blown out.

- Have the subject run across the front of you. You will move your camera with the person and take the photo at the same time.

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Does that make any sense? It is one smooth motion and a pretty awesome technique.

Obviously the image above is not a very good example, but hopefully I’ll have some more for you soon (bigger, brighter, and crisp).  I will of course go back and say what I’ve said in the past – become more comfortable with your camera. Experiment and try new things. It will make you a better photographer.

Here are a couple more I took.

Panning techniques - Tamara Kenyon Photography

And the next one is probably my favorite.

Panning techniques - Tamara Kenyon Photography

So hopefully this post was somewhat helpful and you were able to keep up (I know it was all over the place… whatev).

Shooting in RAW is the Only Way (IMHO) – Boise Idaho Photographer

It’s only been the last 6 months or so that I have been shooting in RAW. I know, I was behind and thought that all of the RAW files would take up so much space on my HD. Turns out, it is the only way to photograph if you’re wanting to do any editing.

Here is a prime example of why. Take this photo, which was exposed terribly. I had captured a great moment, but wasn’t exposed properly. Normally, I would discard this file but there was something about it that made me want to keep it. If I were to have shot in jpeg, there is no way I could keep it.

Original

I’m not going to lie, salvaging this photo did take some work – work that I do not want to spend on every single photo (especially when you’re snapping 400-500 photos per hour). That’s why I emphasize that you properly expose your images whenever possible.

By shooting in RAW I was able to adjust the exposure, white balance, and clarity in order to create these two images. You’ll notice that they have a little noise, but noise never hurt anyone. Embrace the noise!

Color Version

BW Version

Which do you like best?

I think I prefer the BW version because it gets rid of all the different color tones that were created from saving the photo.

Here is a great breakdown of RAW vs JPEG for those of you who are on the fence about it. If I wasn’t being paid to photograph people, I probably wouldn’t shoot in RAW. However, by doing so I’m able to save images in the situation that they are not properly exposed. 90% of the time it doesn’t matter that I’ve shot in RAW because most of the files are properly exposed. This is a prime example of why I do it. There might be one image I really love, but messed it up. RAW lets me fix it.

White Balance – Boise Idaho Photography

I’ve decided to do a mini-tutorial. It might not be as much of a tutorial as it is a good piece of information.

So… white balance. Basically white balance is the color cast that shows up in your photos. If you’ve heard the term “temperature” when referring to photos, it’s basically referring to white balance. This isn’t the most important aspect of your camera, but I still think it is good information to learn and use in your shooting.

An incorrect WB can create different shades of blue, orange, or green colors shades in your photos. These can damage or take a lot more time to correct.

Warmer colors = more yellow and cooler colors = more blue.

It is important to be able to set your camera to the true colors of the room. By adjusting to the appropriate white balance, you’re able to capture the actual color of the room. For example, below I will show you two unedited photos. One with an automatic setting of white balance and one with a custom white balance set.

Automatic White Balance:

Custom White Balance

See what I mean? Big difference. Imagine trying to get rid of that yellowish/red tint during the editing process. Annoying.

As you can see, the custom white balance depicts what the actual color of the room is. Where the automatic white balance shows a reddish/yellow cast over the image. This cast is not true to color because when I actually took the photo, the room wasn’t that “warm”.

By having the correct white balance, you’re able to capture a more accurate image, and save yourself time in photoshop. The ultimate goal is to do as little editing as possible.

There are a couple ways to change the white balance on your camera. First, there are pre-sets that you can use to that will guess what the balance will be in the room according to the lights. Most likely your settings will look like this.

http://www.cambridgeincolour.com/tutorials/white-balance.htm

You can use these settings as a general judge, and for the most part it will do a decent job.

I personally like to use a custom setting. To do the custom setting, you generally (when I say generally I really mean general because all cameras are different. I run a Canon and this is how mine works) will take a photo of a white object using the light that you plan on taking the other photos with. Sometimes I’ll use clothing, piece of paper or anything that is white. In the instance above, I used a napkin. You can literally use anything white as a reference.

Set your camera to custom white balance (you can see what the custom setting looks like on the diagram above). By doing that you are telling your camera, “hey, this is the light that I have so please adjust to it to give me true color”. By setting that custom setting your camera is able to understand that the white photo that you just took is the white that the rest of the room has. Using the custom white balance means there is no guessing. If you are not as familiar with your camera on how to set a custom white balance, I would whip out your manual and take a look. My camera requires me to go into my menu and select the white balance reference that I photographed, as well as changing my setting to the custom white balance setting.

So, there you have it. A quick explanation of white balance. I’m sure there are more technical ways to explain it but I felt I wanted to explain it in my terms where it made more sense and had more practical use.

I will most likely be doing a basic photography course in the fall, in which I will be going over this as well but I’ve been shooting indoors a lot more and feel that the white balance is most important when doing so.

Anyway, here is the the image of the correct white balance with some basic touch ups. Much better and much easier to fix.

Versus the automatic setting below which took me double the time to edit and doesn’t have as accurate light. Notice the slight green tint it has. It looks okay, but still not as good as above and isn’t as time-efficent as the photo above. I also feel like it’s more noisy (in a bad way). The picture above with the correct white balance has true warmth. This isn’t warmth that I created, this was warmth that actually existed. The photo below has lost that and there wasn’t a way that I could repair it.

Don’t judge me by this comment, but I feel that if you can do more with your camera and less artificially (via photoshop), it shows that you are a much better photographer because you are able to really use your camera. As a photographer, my ultimate goal is to be able to push my camera to it’s fullest potential and know that I’m doing my job, and not compensating for it later.

I will admit, when I first started off I was super guilty at claiming I’d just fix it later. I think in this digital age this will happen more and more. The more I take photos, the more I strive to perfect my skills before the files even hit my computer.

I hope this helps. Feel free to ask any questions that might not have been very clear.

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